How much money does Jackie Chan own?As of August 1, 2021, Jackie Chan had a net worth of $520 million. Chan has earned much of his wealth from his long career in the film industry, which includes acting, film production and directing, screenwriting, and television production.
How did Jackie Chan become so rich?Jackie Chan Net Worth Over Time Not much is known about Jackie Chans assets evolution in time, but we did find out that one of his first Hollywood movies, Rumble in the Bronx brought him $4 million in 1995 and that his appearances in the Rush Hour film franchise scored him a total of almost $40 million.
What cars does Jackie Chan own?Jackie Chans Car CollectionMitsubishi Lancer Evolution 8 Jackie Chan Special Edition. When you have a vehicle named after you, its only polite to have one. ... Jackie Chan Edition Lamborghini Aventador. ... Custom Mitsubishi Pajero Turbo. ... Mitsubishi 3000GT Prototype. ... Bentley Mulsanne.Apr 29, 2021
There are many ways to tell the story of Jackie Chan. He is the heir to Charlie Chaplin and Buster Keaton, the comic grace of his movements leaving audiences in laughing wonder. And he helped bring martial arts into the Hollywood mainstream, so that nearly every American action hero, from Jason Bourne to the Black Panther, now boasts elements of karate or jujitsu in their repertoire of ass-kicking skills. When Chan was born in 1954, Hong Kong was fast becoming a haven for Chinese escaping communist rule on the mainland.
This tiny city-state, some 400 square miles in total, had historically served as a foothold for European merchants seeking to gain access to the Chinese market, as the historian Jan Morris recounts in her book Hong Kong. As China suffered through famine and political upheaval and one miserable five-year-plan after another, Hong Kong sprouted an endless number of skyscrapers, which seemed to cast long, mocking shadows over its massive neighbor.
The Chans landed in Victoria Peak, a posh neighborhood high in the hills that is home to the wealthy and foreign diplomats. But Chan was nevertheless familiar with the racial dynamics of colonialism. The folks at the consulate treated us well, but from the very beginning, we existed in two different worlds. There is, too, an overarching sense of the phenomenal success that is to come, which casts a How rich is Jackie Chan? glow even on those moments when Chan was at his lowest, cowering by the garbage bags in that lonely shed.
Each trial is a stepping stone to the super-stardom that will legitimize everything that came before, rather than an examination of the ways in which being poor and Chinese in a colonial city in the 1950s might have How rich is Jackie Chan?
a person up. This blind spot is particularly apparent when Chan writes of the crucial formative experience in his life: When he was seven years old, his parents pulled him out of school and enrolled him at the China Drama Academy, which churned out performers for Peking operas and other entertainments.
The Chans, who soon after would leave Hong Kong to pursue How rich is Jackie Chan? in Australia, signed a ten-year contract with the academy, essentially consigning their son to a life of indentured servitude. For ten years, Chan trained all day long, from 5 a. Along with the other boys, he slept on a thin mat, on a carpet encrusted with sweat, spit, and piss.
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When he misbehaved, he was beaten with canes; when he fell ill, he was told to suck it up and keep practicing his kung fu. He received almost no education, not even in the basics of reading, writing, and arithmetic, and when he first became rich he had trouble signing his own name on credit card receipts.
He was, in effect, a walking slab of meat to be trotted out whenever a Peking opera production needed a singer or dancer How rich is Jackie Chan? acrobat. And when he began seeking work on movie sets in his teens, his master would take a 90 percent cut of his pay. Chan was enmeshed in the vast underclass of the great Hong Kong economy, which How rich is Jackie Chan?
this day is jam-packed with underpaid laborers from around the world who live stacked on top of each other in dismal apartments the size of coffins. And yet the predominant sense in this memoir is that the obvious inequities of the China Drama Academy particularly and Hong Kong more broadly were outweighed by the amazing opportunities they afforded to a nobody like Chan Kong-Sang. One of his first breaks came when a director demanded a perilous stunt—a tumbling leap from a high balcony—without a wire to catch the stuntman if it went awry.
The stunt coordinator refused to let any of his men perform it.
Then Chan volunteered, breaking what amounted to an ad hoc labor strike. As he started to star in his own films, culminating in his 1978 breakthrough Drunken Master, original stuntwork became one of his defining traits, alongside his comedic mien.
These injuries included a disastrous fall during the filming of Armour of God 1986 that nearly killed him. In his memoir, Chan proudly recounts the body parts he has shattered over the course of his career: nose, jaw, ankle, cranium. It is also what makes him exceptional—not his brilliance or his smile or any other quality, but an almost masochistic willingness to risk his life for the camera.
Those highlight reels, full of impossible leaps from the tops of buildings and other brushes with death, became the hallmark of his movies, more memorable than their How rich is Jackie Chan? or characters. But read as a Hong Kong success story, it leaves the unfortunate impression that the only way to make it in this town was to literally almost kill yourself with work. It is a shame that Chan is unable to evoke in his writing the joyful magic of a Jackie Chan fight scene.
The combatants often work in an improbably tight space, with a few props that either shift position or are smashed to pieces, so that the space changes in surprising ways, as if some unexpected dimension of reality is continually unfolding before your eyes. It is a shame, too, that Chan does not say much about his filmmaking style. His Hong Kong, for example, is not that of John Woo who pioneered the gritty, hardboiled aesthetic of action movies much imitated by Quentin Tarantino or Wong Kar Wai all sharp angles and reflections and harsh light, where even the raindrops are lambent with neon.
It is something plainer, more straightforward, a bit ugly even: milky-gray sky, drab office interiors, identical white apartment blocks rising from the green hills with How rich is Jackie Chan? regularity of a picket fence. The principal charm of this aesthetic, like a yellowing photograph, comes from age, dating Hong Kong to a specific moment in the 1980s and early 1990s, when it was at its peak and looking toward the 1997 handover to China with equal measures of hope and trepidation.
To go from being an uneducated loser to being a famous star? He totals expensive cars and buys new ones. He spends millions of dollars How rich is Jackie Chan? fancy watches, chases beautiful women, and licenses a Jackie Chan brand of Australian wines. After he stars in How rich is Jackie Chan? Hour with Chris Tucker in 1998, he becomes a bona fide star in America, producing a series of comic-action movies in his middle to old age that make him richer and more famous still.
He also has a child out of wedlock though this only warrants an offhand sentence. He is at his most self-aware when discussing his workaholism. When I finally found success, I was driven to give the world one good film after another, to show everyone what I was worth.
His poverty is a wound that never quite heals. Those searing experiences have not translated into a sympathetic politics. With too much freedom, it can get very chaotic. It could end up like in Taiwan.
He has moved his base of operations to Beijing and become a kind of for the Communist Party. He has made with a mainland production company.
In 1996 Jackie Chan climbed the Hollywood sign. It is an ethos that perhaps has been there all along. Against a backdrop of designer clothes and jewelry and electronics, Chan fights a whole gang of bad guys, sending them flying into mannequins and tumbling down escalators. There is shattered glass everywhere as bodies slam through display cases and storefronts. At one point, inexplicably, a motorcycle makes an appearance, careening through more panes of glass.
He crashes into more glass at the bottom, and in one unbroken motion gets up and keeps fighting. But there is something disturbing about it, too, the way Chan is both destroying and being destroyed by this mall.
There is blood on his face, after all. And the blood is real.